My work is focused on the process and experimentation to create images, and on the nature of collecting images as objects. Creating process-oriented work in my cyanotypes instead of product-oriented work allowed me to make larger and simpler moves in the process of experimentation to create a new quality of image. The qualities of light and chemical used inspire the moves made to create this work. The result is an ambiguous, processual body of work that carries a trace of the pieces used to create it—light, chemical, object, and the hand.

In the work I make, I seek to access my creative unconscious that is often tamped down by my rational brain. I remove aspects of control and try to look from a new perspective, as though through a mirror reflected on a mirror.